Antigones domino effect

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Antigones domino effect

Antigone and Ismene Prompt: For those unfamiliar with the play, some context: Antigone is the third of the three Theban plays written by Sophocles. The previous two, Oedipus Tyrannus and Oedipus Coloneus, concentrate on the mythical king Oedipus who unknowingly killed his father and married his mother.

Oedipus dies under mysterious circumstances, and his sons slash brothers — incest makes familial relations complicated Polyneices and Eteocles fight to the death for his throne.

King Creon declares Polyneices a traitor to Thebes for initiating civil war and bans the citizens from burying his corpse on pain of stoning to death.

By the time Antigone begins, Antigone and Ismene are the last of this cursed family line.

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Antigone asks Ismene to help her bury their brother Polyneices, but Ismene refuses. Creon catches Antigone in the act and sentences her to be sealed into a cave for the remainder of her life.

While everyone around her is hell-bent on killing themselves spectacularly, Ismene is silent and stationary inside the royal palace. Initial impressions of the play would hardly deem her the most riveting of characters and would certainly not deem her an equal to the daring headliner who is her sister.

This is an unfortunate oversight because we should care about Ismene.

Antigones domino effect

Thus, Ismene should not be thought of as less than Antigone but as equal and opposing. I posit a new way of reading Antigone, one that maintains the parity between the two sisters.

The first refers to Apollo, the god of light and dream, and the second to Dionysus, the god of intoxication and rapture. What exactly is the relationship between the two? And just as the two deities share a fraternal bond, so do Antigone and Ismene share a sororal bond.

Reading Ismene as an Apollonian embodiment and Antigone as a Dionysian embodiment highlights the doubleness of their fate and provides new insights into the dynamics of their relationship.

Ismene functions as the avatar of Apollo in Antigone. Ansell-Pearson and Large Concerned with the practicalities of everyday survival, she is prudent, rational, and adaptable. Conventional readings peg Ismene as passive, even cowardly, compared to her heroic sister, yet it is precisely her mundanity that makes her so relatable.

We readers may prefer to imagine ourselves in the role of passionate martyr rather than that of compliant survivor, but we must admit that majority of us would be Ismenes and not Antigones in a given scenario.

Antigone may catch our eye, but Ismene is our known quantity. Ismene also exhibits the Apollonian artistic features. Apollo is the god of the plastic or representational arts, architecture in particular, and Ismene is bound to the royal palace.

The stage directions in Antigone serve as an attestation. Antigone and Ismene emerge from the royal palace, Ismene returns to the palace, Ismene is brought from the palace under guard, and Antigone and Ismene are taken inside.

After being taken inside the palace with Antigone, we understand that Ismene remains in the palace for the rest of the play.

Antigones domino effect

This insistent grounding of Ismene in the palace can partially be explained by the fact that the setting of the play is in front of the palace, but other characters are allowed to enter and leave by side entrances or to complete unseen actions outside the palace e.

Antigone burying her brother whereas Ismene is decidedly not. In addition to architecture, Ismene is associated with language. The associations of form, dream images, and illusory knowing with language seem to place language and thus Ismene as well firmly in the Apollonian field. It follows that Antigone is her Dionysian counterpart, although she is not as perfect a fit.

Unlike Creon who experiences anagnorisis or Ismene who later decides to stand with Antigone, Antigone makes a decision and sticks with it. If Ismene is easily analogized to Apollo, then Antigone represents a complicated and at times inverted Dionysus. For Nietzsche, the Dionysian sanctifies pain, consecrates the future in the past, and ultimately symbolizes the primacy of a life-drive Ansell-Pearson and Large On the other hand, the Lacanian reading of Antigone diagnoses her with a death drive, which sounds like the exact opposite of the Dionysian life-drive.

For Antigone, the true life is not the life she has been living, and her future is found with the past, or more precisely, the passed.

Having established Ismene as an Apollonian figure and Antigone as a Dionysian figure, we can now examine their dynamic. Nietzsche characterizes the interaction of the Apollonian and Dionysian as thus: We mentioned in the beginning that Ismene pales in comparison to her sister.Antigone’s Domino Effect Nicolas Figuly Dianne Boone English II Pre-AP 4 December Antigone’s Domino Effect Antigone, daughter of Oedipus, is the carries the .

THE DOMINO EFFECT The Basics and Beyond Background Nerve cells, or neurons, make up the information highways of the body. T h e job of most ind i v i dual ne u ro n s is to pick up sig n als from ne ig h b o r - i n g neurons and transmit them to another neuron or to a target cell.

Antigone’s Domino Effect Antigone, daughter of Oedipus, is the carries the burden of Haemon’s, Eurydice’s, and her own death. The agony commenced when Antigone disobeyed the law which said to not bury Polyneices. Domino Effect. Lesson by Mathalicious; Annotation by Student Achievement Partners.

GRADE LEVEL Eighth. IN THE STANDARDS 8.F.B.4, 8.F.B.5, 8.F.A WHAT WE LIKE. A cumulative effect produced when one event sets off a chain of similar events: the domino effect of increasing the speed limit in one of several contiguous states.

[From the fact that a row of dominoes stood on end will fall . Nov 22,  · "Antigone" chronicles the brave devotion of a girl named Antigone, whose actions lead to a domino effect of tragedies.

Domino effect - definition of domino effect by The Free Dictionary